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PRIORITY CLARINET AND MUSIC EVENTS
Autumn 2011 Newsletter (September -
November)
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Arosa Music Academy - Switzerland - Clarinet Master Classes - 9 - 14 September 2011
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Clariarte Festival and Competition - September 2011
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Latin American Clarinet Festival - Peru - September 2011
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Mercadante Clarinet Competition - Bari, Italy - 13 -16 October 2011
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Vandoren Clarinet Ensemble Festival at Michigan State University - 1 - 2 October 2011
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Trio de Clarone USA Tour - January 2012
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Lancelot International Competition - Paris - March 2012
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Rasaay Bass Clarinet Course - Scotland - 2 - 6 April 2012
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Boston Clarinet Day - 16 October 2011
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Troy Clarinet Day - Alabama - 17 September 2011
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Members of NY Phil Chamber Concert at East Stroudsberg University (PA) - 25 September 2011
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Eddie Daniels- Copland Clarinet Concerto with London Symphony - 9 February 2012
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ClarinetFest 2012 at University of Nebraska - 1 - 5 August
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Stanley Drucker - Copland Concerto with Greenwich Conn Symphony - 1 - 2 October 2011
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Ted Lane Soloist in Weber 2nd Clarinet Concerto with Equador Symphony - 22 -23 September 2011
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ECA Competition and Master Class Festival - Madrid, Spain - 6 - 10 December 2011
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Julia Heinen Clarinet Recital - Olaf College, California - 25 September 2011
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Benelux Clarinet Competition - Kortrijk - 4 - 6 November 2011
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Picard Clarinet Competition - France - November 2011
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Clarinetopia - Michigan State University - 13 - 17 June 2012
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Ohio University Clarinet Gala - 22 April 2012
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Berlin Philharmonic Master Classes at Carnegie Hall - 23 -24 February 2012
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American Chamber Ensemble Series 2011-12
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Rutgers University Woodwind Day - Sunday, 23 October 2011
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Klezmer Madness with David Krakauer concerts in Paris, France - 27 October 2011
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ChamberFest Cleveland - 23 June - 1 July 2012
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Ensemble 54 - New York - 25 October 2011
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Eddie Daniels Master Class after Copland Concerto with London Symphony - 11 February 2012
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Rico-Buffet Night with Mark Nuccio Sweepstakes from 28 October - 13 January 2012
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Chamber Music Concert & Auction for Clarinet Conservation - 20 November 2011
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Chamber Concerts with Franklin Cohen - Cleveland Institute 20 - 21 November 2011
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Liam Burke - Copland Concerto Soloist with Juilliard Chamber Orchestra at Alice Tully Hall, New York - 21 November 2011
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Julian Bliss Honor Concert - London, 14 December 2011
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ALERT
RICO / BUFFET-CRAMPON NIGHT WITH NUCCIO SWEEPSTAKES including as Grand Prize:
for more information, click the title above
28 October 2011 - 13 January 2012
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A one-hour private lesson with Mark Nuccio in New York
City (at mutually convenient time)
- One Buffet Crampon®
R13 Nickel Clarinet
- 2 tickets to a New York Philharmonic®
Concert In New York
- A one year supply of Rico®
Reeds
- $1150 in cash for travel expenses for
trip to NY.
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RICO NIGHT WITH NUCCIO Sweepstakes
Official Rules
NO PURCHASE NECESSARY.
MAKING A PURCHASE WILL NOT INCREASE YOUR CHANCES OF WINNING.
PROMOTIONAL PERIOD:
Sweepstakes begins at 11:00 a.m. Eastern Time (“ET”) on October 28, 2011 and
ends at 3:00 p.m. ET on January 13, 2012. Your entry must be submitted and
received during the Promotional Period.
HOW TO ENTER: There are two ways to enter:
-
Online Entry: Visit
www.ricoreeds.com/nuccio and complete the online entry form.
-
Mail-in Entry: Mail a 3-inch
by 5-inch postcard addressed to RICO NIGHT WITH NUCCIO, c/o
D’Addario & Company, Inc. PO Box 290 Farmingdale, NY 11735. The
postcard must contain, in legible handwriting: entrant’s first and
last name, complete mailing address, phone number, date of birth,
and email address. One postcard per entry. Each postcard entry must
be mailed separately and must be received during the Promotional
Period.
-
For all entries: All required
information must be complete for an entry to be eligible. Entrants
must provide a valid street address in the U.S. No Post Office
Boxes, mail boxes, or APO addresses may be used. Entrants may enter
as many times as they wish. Incomplete, misdirected, or
unintelligible entries will not be eligible. Use of automated
computer programs and/or other automated devices to enter this
sweepstakes is prohibited.
RANDOM DRAWINGS: One
Grand Prize Winner and 10 Weekly Winners will be selected in random drawings
from all eligible entries received by the date of the drawing. The Grand
Prize Winner drawing will be conducted on or about January 6, 2011. One
Weekly Winner will be drawn each week during the Promotional Period. Odds of
winning depend on the total number of eligible entries received by the time
of each drawing. The Prize Winners will be notified by email sent to the
email address given by the entrant. Only the owner of that email address is
eligible to win. The winner must respond to the initial notice email within
48 hours to confirm receipt. Sponsor will then send the potential winner an
Affidavit of Eligibility and Release, which must be signed and returned by
the winner within 7 days of receipt. If the winner does not respond to the
initial email within 48 hours, if any prize notification email is
undeliverable, or if the winner does not complete and return the Affidavit
of Eligibility and Release within 7 days of receipt, another winner will be
selected from the remaining entrants.
PRIZES AND APPROXIMATE RETAIL VALUE (“ARV”): GRAND PRIZE
PACKAGE: ONE GRAND PRIZE PACKAGE CONSISTING OF: A ONE-HOUR LESSON WITH MARK
NUCCIO IN NEW YORK CITY (AT MUTUALLY CONVENIENT TIME)(ARV $300); ONE BUFFET
R13 NICKEL CLARINET(ARV $4605); 2 TICKETS TO A NEW YORK PHILHARMONIC®
CONCERT IN NEW YORK (ARV $100; $50 PER TICKET); A ONE YEAR SUPPLY OF RICO®
REEDS (ARV $250); AND $1150 IN CASH FOR TRAVEL EXPENSES FOR TRIP TO NY.
TOTAL GRAND PRIZE ARV: $6405.
10 WEEKLY PRIZE PACKAGES: EACH CONSISTS OF A ONE YEAR SUPPLY OF RICO®
REEDS (EACH WEEKLY PRIZE ARV: $250). TOTAL ARV OF ALL PRIZES:
$8905. Prizes are nontransferable and must be accepted as awarded. No prize
substitution will be made, except that Sponsor may award a prize of equal or
greater value in the event that a prize cannot be awarded for any reason.
LESSON/CONCERT PRIZE AND
TRAVEL ARRANGEMENTS: Grand Prize Winner is responsible for making
all travel arrangements to New York City for lesson with Mark Nuccio and New
York Philharmonic concert tickets. The dates and times for the lesson and
the concert are subject to advance reservations, availability and the
schedules of Mark Nuccio and the New York Philharmonic. Lesson must be
taken and concert attended during 2012 calendar year, or those prize
elements will be forfeited. Grand Prize Winner is responsible for all
travel charges and expenses (including fees, service charges, sales or other
taxes, accommodations, gratuities, meals, incidentals and any other
unspecified expenses) associated with the travel to New York, beyond the
amount of the travel stipend awarded as part of the Grand Prize.
ELIGIBILITY:
Sweepstakes open to legal residents of the United States, who are 18 years
or older as of the date of entry. Employees of D’Addario & Company, Inc.,
Rico Corporation, Musician’s Friend, Inc., Woodwind & Brasswind, and their
respective affiliates, advertising and promotion agencies, and members of
their immediate families (spouses, parents, children, and siblings and their
spouses) and/or those living in the same household of each, are not eligible
to enter. By entering the promotion, entrants agree to be bound by these
Official Rules and to receive information by mail or email from D’Addario &
Company, Inc., Rico Corporation, Musician’s Friend, Inc., Woodwind &
Brasswind, and their affiliates and marketing partners, in accordance with
their privacy policies. Any person who violates these Official Rules will
be disqualified.
PUBLICITY RELEASE: Subject to applicable law, each winner
irrevocably grants each Sponsor the right to use winner’s name, voice,
likeness and/or biographical material for advertising, promotional and/or
publicity purposes in all forms of media, worldwide in perpetuity, without
any obligation or consideration except for the awarding of the prize to the
winner. Entrants agree not to defame or make negative comments about any
Sponsor or its products/services.
RELEASE OF LIABILITY: BY ENTERING, EACH ENTRANT AGREES TO
RELEASE AND HOLD EACH SPONSOR, MARK NUCCIO, THE NEW YORK PHILHARMONIC, AND
THEIR RESPECTIVE AFFILIATES, AGENCIES, AND EMPLOYEES, HARMLESS FROM AND
AGAINST ANY CLAIMS, ACTIONS, LOSSES, DAMAGES, OR LIABILITY OF ANY KIND,
INCLUDING WITHOUT LIMITATION, PERSONAL INJURIES, DEATH, OR PROPERTY DAMAGE,
OR ANY DIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, WHICH ENTRANT OR ANYONE
ELSE MAY INCUR AS A RESULT OF THIS PROMOTION OR THE USE, OR MISUSE OF ANY
PRIZE. BY ENTERING, EACH ENTRANT HEREBY KNOWINGLY AND EXPRESSLY WAIVES ALL
RIGHTS TO SEEK PUNITIVE, INCIDENTAL, CONSEQUENTIAL OR SPECIAL DAMAGES, LOST
PROFITS AND/OR ANY OTHER DAMAGES AGAINST ANY SPONSOR, MARK NUCCIO, THE NEW
YORK PHILHARMONIC, THEIR RESPECTIVE AFFILIATES, AGENCIES, AND/OR EMPLOYEES.
DISCLAIMERS: Incomplete, inaccurate or late entries are
void and not eligible. Sponsors are not responsible for incomplete,
misdirected, illegible or unintelligible entries, for entries or
communications with incorrect contact information, for disruptions in email
or other electronic communications, or for any inadvertent typos or errors.
Any use of robotic, macro, automatic, copied, programmed or similar
mechanical entry methods will void all such entries and subject such
entrants to disqualification. If this promotion is corrupted or impaired by
virus, worm, software malfunction or other causes, Sponsors reserve the
right at their sole discretion to suspend, modify or terminate the promotion
without notice.
GOVERNING LAW: This promotion is subject to all applicable
federal, state and local laws and regulations. All issues and questions
concerning this Promotion will be governed by the laws of the State of New
York, and entrants agree that any suit or proceeding regarding this
Promotion will be brought only in Suffolk County, New York. VOID WHERE
PROHIBITED OR RESTRICTED BY LAW.
TAXES: Each winner is responsible for paying any applicable
federal or local taxes on prizes. Sponsors will comply with all IRS
reporting obligations; winners will be asked to provide tax and personal
information as a condition of being awarded a prize.
WINNER’S LIST: For a winner’s list, send a written request,
with a stamped, self-addressed envelope, to: RICO NIGHT WITH NUCCIO
Sweepstakes, c/o D’Addario & Company, Inc., PO Box 290 Farmingdale, NY
11735, or send an email request to
nucciopromo@daddario.com
with Subject Header: Rico Night with Nuccio Sweepstakes Winners, before
March 6, 2012.
SPONSORS: This sweepstakes is sponsored by D’Addario &
Company, Inc., Rico Corporation, Musician’s Friend, Inc., and Woodwind &
Brasswind (“Sponsors”). See
www.daddario.com and
www.wwbw.com. The decisions of Sponsors are
final and binding on all aspects of this promotion. The New York
Philharmonic® is
not a sponsor and has not approved or endorsed this promotion.
Directors Diana Cohen (Concertmistress in Richmond
Symphony), Senior Artist VIP and co-Director Franklin Cohen (Solo Clarinetist in
Cleveland Orchestra), Jonathan Biss, Mark Kosower, Cellist, William Preucil,
(Cleveland Orchestra Concertmaster), James Lawson - Violist, and Orion Weiss,
Pianist
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ChamberFEST
Cleveland
will
present
an
inaugural
benefit
concert
November
27,
2011
featuring
world-renowned
pianists
Jonathan
Biss
and
Orion
Weiss,
festival
directors
Diana
Cohen,
concertmaster
of
the
Richmond
Symphony,
and
Franklin
Cohen,
principal
clarinet
of
The
Cleveland
Orchestra
in
addition
to
William
Preucil,
concertmaster
of
The
Cleveland
Orchestra,
Mark
Kosower,
principal
cellist
of
The
Cl...eveland
Orchestra,
and
rising-star
violist
James
Larson.
Famed
Cleveland
chef
Douglas
Katz
of
Fire
Food
&
Drink
will
provide
food
and
wine.
This
concert
will
be
at
the
private
home
of
Charles
and
Rachel
Cowap,
2700
Eaton
Rd,
Shaker
Heights,
OH.
This
is
guaranteed
to
be
an
exciting
and
intimate
event!
Please
contact
chamberfestcleveland@gmail.com
or
call
216-233-3451
if
you
would
like
to
be
added
to
our
invitee
list.
See
More
By: ChamberFEST Cleveland
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Beginning in June of 2012, ChamberFest Cleveland will present world-class musicians for an intensive summer chamber music festival, exploring unique and immersive thematic programming, and creating original, engaging musical experiences for its audiences. The festival will offer a variety of events including concerts, pre-concert lectures, audience preparation, meet-the-artist receptions, parties,... open rehearsals, collaborations with local Cleveland restaurants, and much more. ChamberFEST Cleveland is led by Executive Director and Artistic Director Diana Cohen and Co-Artistic Director Frank Cohen. Make sure to check back here for announcements about the first annual ChamberFEST Cleveland season. If you would like join the mailing list, become a supporter, or even volunteer, please contact us at chamberfestcleveland@gmail.com
Inaugural formation of ChamberFest
Cleveland with an inaugural concert 27 November and Festival 23 June - 1 July
2012
Perhaps one of the most important Music Education developments to reform the
near educationally bankrupt Music Education system in the United States, with
budgets being cut and academic priorities out of step with realities, especially
in the value of quality programs that can increase academic accomplishment as
well proven by statistics. Students who study music instrumentally and
develop the skillsets and multi-tasking knowledge associated with it become on
average 30% smarter than those who do not take this opportunity. In my
opinion El Systema should replace the current system as by their policies and
concepts all students are taught by a professional who actually plays the
instrument, and the music training is geared to orchestral high goals with the
great music associated with it rather than Bands that tend to be geared to
entertaining sporting events and less worthwhile music. I hope this soon
will be at the front lines of attention to all Schools and Educators.
Gustavo Dudamel,
rehearsing with the Youth Orchestra Los Angeles
in 2009, is the most famous product of El
Sistema.
Published: October 4, 2011
The
Los Angeles Philharmonic has seized the
initiative in guiding a national teaching
program based on El Sistema, the
Venezuelan-based movement that weds music
teaching and social work. The orchestra
announced on Tuesday that it would open an
office, host yearly conferences and support a
training program to sustain the effort.
Bard College,
in Annandale-on-Hudson, N.Y., and the
Longy School of Music, in Cambridge, Mass.,
are joining the orchestra in a partnership to
support the movement and will grant master’s
degrees in teaching the Sistema method. Bard and
Longy are in the process of merging.
The
partnership will hire two staff members and
serve as a national reference point for Sistema-style
“nucleos,” as the individual teaching centers
are called, said Deborah Borda, the Los Angeles
Philharmonic’s president and chief executive
officer.
El Sistema
aims to use the teaching of classical music to
improve the lives of poor children and to help
underprivileged neighborhoods. It has involved
some 400,000 young people in Venezuela and
spread to a number of countries, capturing the
imagination of leading performers, teachers and
executives in classical music.
The
Philharmonic-Bard program, inspired by El
Sistema, will be called Take a Stand. Its first
major act will be a conference in Los Angeles
from Jan. 30 to Feb. 1, involving participants
from around the country. Then, starting in June,
a first round of about 15 students will embark
on a one-year master’s program, spending much of
their time working at the Philharmonic’s Sistema-like
project, the Youth Orchestra Los Angeles, and at
a charter school in Delano, Calif., associated
with Bard, said Karen Zorn, Longy’s president.
Longy and Bard are developing the curriculum.
“The rubber is
hitting the road here,” Ms. Borda said.
The fit with
the Los Angeles Philharmonic is natural. El
Sistema’s most famous product is Gustavo Dudamel,
the orchestra’s music director and a driving
force behind its outreach efforts.
Part of the
challenge for Sistema supporters is figuring out
how to adapt the program to countries outside
Venezuela, where it is government-financed and
highly centralized. In the United States
individual programs have popped up in various
formats.
“El Sistema is
an inspiration,” said Leon Botstein, the
president of Bard. “It’s not a formula.” He
added that the main goal of the partnership was
“trying to train a cadre of teachers to bring
classical music to populations that normally
wouldn’t have it.”
The new
program fills a void created this year when the
New England Conservatory in Boston
divorced itself from a nascent effort to
organize the loosely related programs around the
country called
El Sistema U.S.A. That effort grew out of a
New England Conservatory program to train 10
fellows a year in El Sistema’s methods. That
program is in its third of five years.
The two
programs, Ms. Borda said, are not in conflict.
The New England Conservatory’s fellows are
learning how to administer nucleos, she said,
while Take a Stand students will study how to
teach in them.
“I think
they’re complementary,” she added. “This is
different from El Sistema U.S.A., in that it’s
three organizations that have very specific
resources and will undertake very specific
work.”
Ms. Borda said
that the program would cost in excess of $1
million a year and that financing for it was
being built into the Philharmonic’s regular
budget.
Eric Booth, a
consultant to nucleos around the country and a
senior adviser to El Sistema U.S.A., played down
the formal role of the Los Angeles
Philharmonic’s national efforts. He said El
Sistema U.S.A. was still searching for a role.
“People are
rising up in the limbo time,” Mr. Booth said.
“The L.A. Philharmonic, as far as I know, is not
setting out to provide for all the needs of the
field.”
He praised the
partnership as “a really good, solid, needed
next step forward for a growing movement.” The
biggest problem for the more than 50 nucleos
around the country is teachers who understand
the distinctive nature of El Sistema’s mission.
Take a Stand,
Mr. Booth said, “provides not just a flagship
recognition that there is something distinctive
about that teaching and learning, but is going
to actually produce teachers that the field
desperately needs.”
Remix Competition through 30
September 2011
Your Challenge
The Berliner Philharmoniker invites you to enter our Remix
Contest, based on the music of the renowned composer Gustav
Mahler and using extracts from our recording of the First
Symphony by Gustav Mahler uploaded to SoundCloud. We are pretty
excited about this competition, i.e. to be able to hear your
ways of listening and your ideas for creating a synthesis of the
sound world of Mahler with your own ideas.
To enter please first read the description!
Get Stems
Submit
Score
Competition Status
about 1 month left to submit
Submit From
August 11 > September 30, 2011
Share this Competition
Twitter
Facebook
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About the Competition
The musical focus of our competition is the music of Gustav
Mahler. He was an Austrian composer born in 1860, an extraordinary
conductor and a composer writing music that reflected his difficult
childhood, his life and loves as well as his ever searching quest to
understand the meaning of life. He wrote nine complete symphonies,
and represented at the the turn of the century the cusp of the late
romantic period as well as the breakaway to searching for new forms
and means of expression. His First Symphony is devoted to expressing
the connections between nature and the turbulences of life and love.
He lived the latter part of his life in New York dying at the age of
51 in 1911.
Now in 2011, commemorating a hundred years since Mahler died,
the Berliner Philharmoniker invite you to create your own remix of
the sound tracks from the first movement of Symphony No.1 by Gustav
Mahler, which we have uploaded on the site for you. You simply enter
the SoundCloud site and upload your final remix by 30 September to
the site.
Using the stems uploaded here, use some or parts thereof, as
well as your own musical ideas on the subject and enter the Remix
Contest_Berliner Philharmoniker.
All entries should be submitted by 30 September 2011. As a
guideline, entries can be ca. 3-5 minutes long. The prizewinner will
be announced and notified on 4 October. Entering the contest
requires you however to first read the rules of the competition and
agree to the conditions of entry.
Please read the rules and then agree by ticking the box under
submit before uploading files!
Prizes
The prizewinner receives:
- One year's subscription to the Digital Concert Hall of
the Berliner Philharmoniker
- A Pro Account for SoundCloud for one year.
- Public announcement and press on the website of the
Berliner Philharmoniker.
- Publication of the winning entry on the website of the
Berliner Philharmoniker.
All entrants receive:
- A free-24 hour ticket to the Digital Concert Hall of the
Berliner Philharmoniker and will be notified as to the modus of
logging in.
The Berliner Philharmoniker is one of the finest orchestras in
the world. Led by Sir Simon Rattle it continuously receives
worldwide acclaim for its performances and recordings. In addition
it has an innovative and active educational programme linking many
creative projects to the repertoire and performances by the
orchestra.
Recently it has created a digital portal called the Digital
Concert Hall inviting audiences around the world to receive and
listen to live recordings or its archive via internet. The Digital
Concert Hall has received numerous awards for its innovative design
and conception. The Digital Remix Contest is presented by the
Education Programme and the Digital Concert Hall of the Berliner
Philharmoniker in cooperation with SoundCloud.
Twitter
YouTube
Facebook
Website
Education
Digital Concert Hall
Sep. 2nd - Sep. 4th 2011
Hartberg/Styria - AUSTRIA
COMPETITION
2nd Competition for Clarinet
Chamber Music Ensembles
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SOLO CATEGORY
Line-up: Solo
Clarinet and Clarinet with piano accompanist
Piano accompanists are available on the spot for preparing
the competition programme. You can bring your own
accompanist if you wish so. However, all costs connected
with this decision will have to be carried by you.
First prize:
The 1st prize is endowed with EUR 1.000,-.
1st Round: September 2nd, 2011
Compulsory piece 1:
Claude Debussy: “First Rhapsody for clarinet and piano”
Compulsory piece 2:
Maximal length: 5 minutes
Option 1:
A piece for clarinet and piano commissioned by the ClariArte.
The clarinet part of this piece will give much freedom and
plenty of scope to the interpreter for unfolding his or her
creativity. Only the general structure and the piano part
will be prescribed.
Option 2:
The participant can select one of various short motifs and
compose/improvise a solo piece or a piece for clarinet and
piano based on this motif.
The composition and the motifs
will be handed to the participants at the beginning of the
course. The compulsory piece will be worked on and rehearsed
in the course with the professors.
Final Round: September 4th, 2011, Public concert
Length: 20 minutes
Three clarinettists will be admitted to the final round. The
participants will present a programme of 20 minutes which
has to contain the compulsory piece. The programme of the
final round will be selected by the participants at their
own discretion.
CLARINET ENSEMBLES
Line-ups:
• Basset horn trio
• Clarinet quartet with bass clarinet ( basset horn
optional)
• Clarinet quintet with bass clarinet (basset horn optional)
First prize:
The 1st prize is endowed with EUR 2.000,-.
1st Round: September 2nd, 2011
A programme of 25 minutes
comprising various styles of music. Additionally a
compulsory piece will have to be performed. The sheet music
for this piece will be handed to the participating ensembles
at the beginning of the course. This piece will be arranged
and rehearsed by the competing ensembles during the
ClariArte.
Final Round: September 4th, 2011, Public concert
The final round will take place
in the course of a concert. The 2 ensembles of the final
round will present a programme of 25 minutes including the
compulsory piece. The programme of the final round will be
selected by the competing ensembles at their own discretion.
Solo Category and Clarinet
Ensembles Guidelines
The choice of programme,
presentation, interpretation or arrangement of the
compulsory piece as well as the technical qualities of the
interpreters will be assessed by external judges and will
constitute important criteria. The members of the vienna
clarinet connection will not function as judges.
Flyer downloaden |
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4 - 9
September 2011
Arosa,
Switzerland - Mattias Mueller and Eddy Vanoosthuyse, Clarinet Faculty
Monday, September 12 at 9:30 am
-
September 16 at 10:00 pm
Centro
Cultural Peruano Japonés - ENTRADA LIBRE
Lima,
Peru
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Created By |
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More Info |
Buffet
Crampon - Cañas
Gonzalez -
Centro Cultural
Peruano Japonés
Página oficial:
http://www.wix.com/clariper2/congreso
Cariperu tiene
el agrado de
anunciar el I
CONGRESO
LATINOAMERICANO
DE CLARINETISTAS
a celebrarse del
12 al 16 de
septiembre del
2011 en la
ciudad de Lima,
Perú. Este
evento busca
unir a todos los
clarinetistas de
Latino América y
ofrecer al mismo
tiempo una
experiencia sin
precedentes en
la soci...edad
peruana. Como es
característica
de Clariperu,
todo el evento
es gratuito.
El Congreso
cuenta al
momento con los
siguientes
invitados
internacionales:
PASCUAL MARTINEZ
FORTEZA - España/USA
Clarinetista de
la Filarmónica
de Nueva York
JOHN CIPOLLA -
USA
Solista
internacional,
presidente
electo de la
Asociación
Internacional de
Clarinetes
NUNO PINTO -
Portugal
Solista
internacional,
artista Buffet
LUIS HUMBERTO
RAMOS - México
Profesor de
clarinete de la
UNAM, solista
SAURO BERTI -
Italia
Clarinetista
bajo de la
Orquesta del
Teatro de Opera
de Roma
ANA CATALINA
RAMIREZ - Costa
Rica
Solista
internacional,
artista Rossi
DANIEL BLECH -
Argentina
Profesor de
clarinete y
música de cámara
en el
Departamento de
Música de la
Universidad de
San Juan
MARCO ANTONIO
MAZZINI - Perú
Solista
internacional,
director de
Clariperu
DANIEL KOVACICH
- Argentina
clarinetista y
saxofonista -
clásico y
popular
SERGIO REYES -
Guatemala
Clarinetista
principal de la
Orquesta
Sinfónica
Nacional de
Guatemala
IVAN MARTINEZ -
Mexico
Clarinetista
mexicano, editor
de la revista
L'Orfeo
GUILLERMO MARIN
- Colombia
Profesor de
Clarinete de la
Universidad
Tecnológica de
Pereira y de la
Universidad de
Caldas
PERU:
Pablo Sabat,
piano
Silvia
Castellares,
piano
María del Carmen
Espinosa, piano
Pedri, batería
Orquesta
Sinfónica
Nacional Juvenil
del Perú
Orquesta Peruana
de Clarinetes
Quinteto
Internacional de
Clariperu
Pronto Clariperu
anunciará otros
participantes.
El Congreso
Latinoamericano
de Clarinetistas
ofrecerá:
> Clases
maestras en las
mañanas
> Recitales de
jóvenes
clarinetistas y
ensambles en las
tardes
> Conciertos de
gala en la noche
> Música clásica,
contemporánea,
experimental,
jazz y popular
Latinoamericana
> Estrenos
mundiales de
obras para
clarinetes en
diversas
formaciones
> Conciertos con
la Orquesta
Sinfónica
Juvenil Nacional
y la Orquesta
Peruana de
Clarinetes
> Concierto de
ensambles de
clarinetes
> Transmisión en
vivo de los
conciertos de
gala por
Internet
> El I Concurso
Latinoamericano
para
Clarinetistas
> Exhibición de
productos
relacionados al
clarinete
> Reparación
gratuita de
instrumentos
> Presentación
de producciones
discográficas
> Premiación
pública del "Clarinetistas
del año"
> Charlas de
interés para
músicos y
clarinetistas
> Concurso
público para
determinar la "mejor
caña del
festival"
> El reto
Clariperu: "Claripisco
Clariperu
también aspira
desarrollar este
Congreso en
otros países de
Latinoamérica
(en el 2013)
para llevar y
compartir esta
intensa
experiencia con
otros colegas de
habla hispana,
creando así un
verdadero
vínculo en
América Latina
que contribuirá
seriamente en la
difusión del
clarinete.
El Congreso
ofrecerá grandes
novedades, entre
ellas están la
propuesta en
línea de tu
recital: si
deseas tomar
parte activa de
este monumental
encuentro de
clarinetistas,
puedes proponer
tu presentación
a Clariperu. Si
consideramos tu
propuesta
interesante, ¡te
invitaremos a
unirte al
Congreso! Todos
los candidatos
recibirán una
respuesta
durante la
última semana de
mayo.
El I CONCURSO
LATINOAMERICANO
PARA
CLARINETISTAS
ofrece como
primer premio
1000 dólares y
un clarinete
Buffet R13.
Puedes
inscribirte en
línea desde aquí:
http://www.wix.com/clariper2/congreso#!concurso
Los esperamos en
Lima - Perú!
Marco Antonio
Mazzini
Director de
Clariperu
|
Troy
(Alabama) Clarinet Day - 17 September 2011
Timothy
Phillips, Director
Ted
Lane, Solo Clarinetist in Orquesta Sinfonica Nacional
del Salvador Soloist in Weber 2nd Clarinet Concerto Op
74 - 22 - 23 September 2011
25
September 2011 - 2 PM Chamber Concert with members of
New York Philharmonic
25 September 2011
Olaf
College, California
21st - 25th of
September 2011
Clarinet
Competition Balkans in Gold - from - Sofia (Bulgaria) -
Application Deadline:
1st of June 2011
Scena
Academia organizes a first-of-a-kind event – an
annual clarinet competition to bring closer and make
possible the exchange of valuable experience among
young clarinetists from the Southeast Europe.
The first
event will take place in Sofia, Bulgaria,
21.09 – 25.09.2011.
The
ambition of the organizers is that the next events
take place in various countries in the Region as
each competition will be an independent one.
The
Competition will take place in two rounds. The
jurors will judge the candidates behind a screen for
maximum impartiality.
First round
This is an elimination round with a free
program of one or several works of the candidate's
choice with total duration not to exceed 20 min.
The jury may interrupt the candidates at first round
for the purpose of fitting in time.
Maximum of 10 candidates of those entering the first
round will be admitted to the second round.
Second round
Program:
A piece at competitors' choice other than the first
round repertoire
A mandatory piece for all competitors – Hristo
Yotsov – clarinet concerto,first movement. Playing
the cadenza is not mandatory. - download here The
solo and piano scores will be e-mailed to each
candidate admitted to entry. It is not necessary to
perform the program from memory. For equal
opportunity all competitors have to use an
accompanist made available by the Competition.
You can
Sign up to the 1st of June 2011.
For
further information and sign up,
click here
Contact:
Balkans in Gold
31 Bulgarska Legia Str.
1618 Sofia
Bulgaria
Tel.: 359 88 998 2345
Email:
balkans.in.gold@gmail.com
1
- 2 October 2011
Greenwich, Connecticut
Dickerman Hollister
Auditorium at Greenwich
High School
Dvořák
Serenade
for Strings
Copland
Clarinet
Concerto
Stanley
Drucker,
Clarinet
Mozart
Symphony
No. 40 |
|
|
|
Stanley
Drucker,
Clarinet |
|
For 60 years, esteemed
clarinetist Stanley
Drucker was a member of
the New York
Philharmonic, serving as
Principal Clarinetist
for 48 years before
retiring in 2009. In
1998, ''Musical
America'' named him
Instrumentalist of the
Year. He has twice been
nominated for Grammy
Awards in the category
of Best Instrumental
Soloist/Classical with
Orchestra, including for
his recording of the
Aaron Copland
Clarinet Concerto.
The Copland Concerto,
commissioned by Benny
Goodman in 1947, has
become one of the
signature pieces of his
career.
''Stanley Drucker… is
part of an international
orchestral elite of
'star' section leaders
players who flawlessly
execute solo passages in
symphonic scores and
shine in the concerto
spotlight as well.''
– The Wall Street
Journal |
|
|
1
- 2 October 2011
Michigan State University
Sunday, 9 October 2011 -
7:30 PM
Marguerite Levin (WKA Artist VIP) Recital at
Carnegie (Weill Recital) Hall
Mercadante International Clarinet Competition
Bari, Italy - Antonio Tinelli, Artistic
Director, Karl Leister, President of the Jury
16 October 2011
Michael Norsworthy, Director
21 -22 October 2011
Studio City, California
Vitello's Jazz & Supper Club
Eddie Daniels
:
Birthday Celebration: 2
Nights! West Coast Exclusive
featuring
Eddie Daniels (sax / clarinet), Tom Ranier (piano),
Darek Oles (bass), Joe La Barbera (drums)
Friday, Oct 21, 2011 8:00 PM PDT
Vitello's Jazz & Supper Club,
Studio City, CA
Sunday, 23 October 2011
Rutgers University (New Brunswick, New
Jersey) Woodwind Day, Maureen Hurd-Hause and Jessica Phillips Reise, Directors
American Chamber Ensemble
23 October with future dates posted here
25 - 29 October 2011
New York City
This just announced 5 day Exhibition and
myriad of Professional Performances by Icon Artists will take place at the
renowned Steinway Hall, across the street from Carnegie Hall where all attending
can meet the star artists and the heads of Selmer Paris. This is an
opportunity not to miss. Admission Free and a chance to audition the entire
instrument line of Clarinets, Saxophones, Mouthpieces, and more.
27 October 2011 - Paris, France
28 October 2011 - New York
4 - 6 November 2011
Benelux Clarinet Competition - Kortrijk,
Belgium
15 November 2011
University of St Thomas, Houston, Texas
20 November 2011 - see below program
Franklin Cohen
Head, Clarinet Department;
Frank K. Griesinger Chair in Clarinet, has been the
principal clarinet of The Cleveland Orchestra since
1976. First-prize winner in the International Music
Competition in Munich in 1968, Mr. Cohen received a
bachelor's degree from The Juilliard School of Music. He
is a frequent soloist with The Cleveland Orchestra,
appearing twice yearly; he has performed solo in
Cleveland, Carnegie Hall, throughout the U.S., Europe
and the Far East with conductors Christopher von
Dohnányi, Vladimir Ashkenazy, Lorin Maazel, Jahja Ling,
Yoel Levi, Leonard Slatkin, Christopher Eschenbach,
Eduardo Mata, and Jesus Lopez-Cobos. Mr. Cohen's
recordings on the London/Decca label include the Brahms
Clarinet Trio, Op. 114 with pianist Vladimir Ashkenazy
and cellist Stephen Geber, and the two Brahms sonatas,
recorded with Mr. Ashkenazy. He also recorded the
Debussy Rhapsody on the DGG label with The Cleveland
Orchestra, Pierre Boulez conducting, a recording that
won two Grammy Awards. Mr. Cohen has served on many
international juries, including the 1998 Munich
Competition. He was appointed to the CIM faculty in
1976.
7:30pm |
|
FACULTY RECITAL
(Concert Series)
FRANKLIN COHEN, clarinet; RICHARD KING, horn; PAUL
KANTOR, violin; DOROTHY RO, violin, guest artist; LYNNE
RAMSEY, viola; JEFFREY IRVINE, viola; STEPHEN GEBER,
cello; VIRGINIA WECKSTROM, piano
ELGAR Piano
Quintet in A minor, Op. 84
DOHNÁNYI Sextet in C Major, Op. 37
*Seating passes
required
Location: |
Mixon
Hall |
Price: |
Free,
but seating passes are required |
Sponsor: |
|
Contact: |
CIM Box
Office
216.791.5000, ext. 411
|
|
|
|
21 November - 7:30 PM 2011
FACULTY RECITAL: All Brahms -
2 Sonatas Op 120, Trio, OP
114
Concert Series (Kulas Hall)
FRANKLIN COHEN,
clarinet
MARK KOSOWER, cello
ORION WEISS, piano
|
20 November 2011
East Berne, New York - Michele Von Huagg,
Director
21 November 2011
Juilliard Chamber Orchestra with Copland
Clarinet Concerto, Liam Burke, Soloist
November
4, 2011
Contact: Gloria Gottschalk, (212) 799-5000, ext. 207
communications@juilliard.edu
JUILLIARD
CHAMBER ORCHESTRA PERFORMS WORKS BY
STRAVINSKY, COPLAND, AND MOZART IN FREE CONCERT
MONDAY,
NOVEMBER 21 AT 8 PM IN ALICE TULLY HALL
Juilliard Clarinetist Liam Burke is Soloist in the
Copland Concerto for Clarinet and String Orchestra
The Juilliard Chamber Orchestra, Juilliard’s conductorless ensemble,
performs Stravinsky’s Concerto in
D (“Basel Concerto”); Copland’s Concerto for Clarinet and String Orchestra
with Juilliard clarinetist
Liam Burke; and Mozart’s Symphony No. 38 in D Major, Prague (K.
504) on Monday, November 21 at 8 PM in Alice Tully Hall.
FREE tickets are available at the Janet and Leonard
Kramer Box Office at Juilliard. Box Office hours are Monday through Friday from
11 AM – 6 PM. For further information, please call (212) 769-7406 or go to
www.juilliard.edu.
Stravinsky’s Concerto in D (“Basel
Concerto”) was commissioned by philanthropist and Swiss
conductor
Paul Sacher, who founded the Basel Chamber Orchestra in 1926. He commissioned
Stravinsky to write a work for the 20th anniversary of the ensemble.
Paul Sacher conducted the premiere of the work in Basel on January 27, 1947.
Copland’s Concerto for Clarinet
and String Orchestra was commissioned by Benny Goodman, who was
interested in pieces for non-jazz ensembles that he could perform as a classical
clarinetist. The work was premiered in November 1950 on a broadcast by the NBC
Symphony with Benny Goodman as the soloist and Fritz Reiner conducting.
Mozart’s Symphony No. 38 in D
Major (Prague)
appears to have had its premiere on January 19, 1787 with the composer
conducting. Mozart was invited to visit Prague by several citizens of the
community after his opera,
Le nozze di Figaro, was enthusiastically received there in December 1786.
Mozart and his wife traveled to Prague in the beginning of 1787 and brought the
D-Major symphony as a gift. The work is in three movements: Adagio-Allegro;
Andante; and Finale.
Juilliard clarinetist Liam Burke is in his last year
of the accelerated bachelor and master of music degree program at Juilliard,
where he studies with Jon Manasse. In spring 2011, he was awarded the Peter
Mennin Prize for Outstanding Achievement and Leadership in Music, an honor
conferred upon only two students that year. He was selected to perform the
Nielsen Concerto at the Aspen Music Festival and School as the winner of
the 2010 Winds and Harp Concerto Competition. Other solo appearances include
performances with the Colorado College Summer Music Festival and the Senior
Boston Youth Symphony Orchestra.
Mr. Burke has been invited to perform with the Mostly Mozart Festival Orchestra,
Orchestra of St. Luke’s, American Ballet Theatre Orchestra, Stamford Symphony
Orchestra, New World Symphony, and the New York String Orchestra. In 2010, Mr.
Burke performed as guest principal clarinetist with the Philharmonie der
Nationen on their three-week international tour of Germany and the United
States. An enthusiastic member of the new music community, Mr. Burke was invited
to play E-flat clarinet in John Adams’ Chamber Symphony at the Kennedy
Center with Mr. Adams conducting.
FOR
LISTINGS:
Juilliard
Chamber Orchestra
Monday,
November 21, 8 PM, Alice Tully Hall
Stravinsky – Concerto in D (“Basel Concerto”)
Copland – Concerto for Clarinet and String
Orchestra
Mozart – Symphony No. 38 in D Major, Prague
(K. 504)
FREE
tickets are available at the Janet and Leonard Kramer Box Office at Juilliard.
Box Office hours are Monday through Friday from 11 AM – 6 PM. For further
information, please call (212) 769-7406 or go to
www.juilliard.edu.
November 23 to 26, 2011
Montreal, Quebec, Canada
|
OSM STANDARD LIFE COMPETITION
72nd Edition
WOODWINDS, BRASS & VOICE
|
|
The 72nd Edition of the OSM Standard Life
Competition, which is to take place on November 23 to 26, 2011,
is dedicated to Woodwinds, Brass and Voice.
AN ESSENTIAL SPRINGBOARD FOR
YOUNG CANADIAN PERFORMERS
Since its inception in 1940, the OSM Standard Life Competition
has served as a springboard for the careers of close to 300
prize-winners, including André Laplante, Angela
Hewitt, Louis Lortie, Angela Cheng, Lyne Fortin, Angèle Dubeau,
Jean-François Rivest, James Ehnes, Alexandre da Costa, Jan
Lisiecki and a number of OSM musicians, among them
concertmaster Andrew Wan.
ELIGIBILITY
This national competition is open to young Canadian musicians
and landed immigrants.
MORE THAN $ 100,000 IN CASH PRIZES AND SCHOLARSHIPS
!
The OSM Standard Life Competition is one of the few Canadian
competitions to offer its winners four prize categories:
- cash prizes
- scholarships for Canada's leading summer
academies
- a professional audio recording in one of
the Radio-Canada studios
- the privilege of playing in concert with
the Orchestre symphonique de Montréal as well as other
institutions throughout Canada
Candidates must submit their complete
application form and CD recording not later than
Friday, September 30, 2011,
postmarked.
JURY
Among the jury who each year judge the
talent and the level of excellence of the artists
participating in the OSM Standard Life Competition
are OSM musicians, fabled teachers, instrumentalists
and singers, as well as world-renowned conductors
and artistic directors.
SEMIFINALS
and FINALSPlease note
that the judges of the semifinals are also judging
the finals of the OSM Standard Life Competition.
CHAIRMAN
OF THE JURY:
JUDGES
OF THE SEMIFINALS:
Woodwinds category:
-
Mr. Stanley Drucker (USA), former
Principal Clarinet of the New York Philharmonic;
-
Mr. Werner Herbers (The
Netherlands), former Principal Oboe of the Royal
Concertgebouw Orchestra;
-
Mr. Jeffrey Khaner (Canada),
Principal Flute of The Philadelphia Orchestra
and Professor at the Juilliard School and the
Curtis Institute.
Picardi Clarinet Competition, France
27 November 2011
Inaugural formation of ChamberFest
Cleveland with an inaugural concert 27 November and Festival 27 June - 1 July
2012
Directors Diana Cohen (Concertmistress in Richmond
Symphony), Senior Artist VIP and co-Director Franklin Cohen (Solo Clarinetist in
Cleveland Orchestra), Jonathan Biss, Mark Kosoon, Cellist, William Preucil,
(Cleveland Orchestra Concertmaster), James Lawson - Violist, and Orion Weiss,
Pianist
Third Moscow Conservatory International Competition for
Winds and Percussion
1 ноября 2011 г. - 8 ноября 2011 г.
Third Moscow Conservatory
International Competition for Winds and Percussion
(Clarinet, Trumpet)
1–8 November, 2011
Terms and Conditions
GENERAL PROVISIONS
The founder of the Moscow
Conservatory International Competition for Winds and
Percussion is Moscow State P. I. Tchaikovsky Conservatory.
The Competition is to be held
once a year for two out of nine disciplines — eight wind
ones and one percussion. So, each discipline takes part in
the Competition once in five years:
- 2009 / bassoon, tenor
trombone
- 2010 / oboe, French horn
- 2011 / clarinet
- 2012 / flute, tuba
- 2013 / percussion, wind
quintet
AIMS of the COMPETITION:
- To raise prestige of the
winds and percussion instruments; to make playing wind
instruments more attractive to the wide audience
- To encourage young people
to play wind and percussion instruments
- To pay more attention to
professional training of musicians who perform on winds
and percussion
- To search for the most
talented young musicians, to support and stimulate their
professional skill
- To provide the conditions
for artistic cultural exchange, to enhance the artistic
development and to improve the professional skills of
the participants of the Competition
APPLICATIONS
- The applicants must be not
younger than 16 and not older than 32 full years of age
(on the day of the Competition — 1 November 2011).
- The winners of any other
international or national competitions do not exempt
from participation in the first round.
THE JURY
The most competent musicians —
performers and pedagogues from all over the world are
invited to the jury of the Competition.
The Jury of the Competition
for clarinet players:
- Sergey Girshenko,
Russia, Chairman of the Jury
- Rafael Bagdasarian,
Russia
- Charles Neidich,
USA
- Eduard Brunner,
Germany
- Philippe Cuper,
France
THE PROCEDURE
- The auditions are held
publicly, consist of three rounds and take place at the
Small, Rachmaninov Halls of the Moscow Conservatory.
- The order of the
participants’ performance is defined by means of draw
and stay unchanged till the end.
- The order of performing of
compositions is to be determined by the participant.
- No more than 50% of the
first round participants could pass to the next round.
No more than five participants could pass to the final
round.
- The results will be
announced immediately after each round.
- After the second round the
Jury decides to award for the best accompanist of the
Competition – one for each discipline.
- After the final round the
Jury decides to award prizes of the Competition.
AWARDS
- The Organizing Committee of
the Competition announces the following prizes for each
discipline:
- First prize — 150 000
rubles and the title of the Laureate of the
Competition
- Second prize — 100 000
rubles and the title of the Laureate of the
Competition
- Third prize — 50 000
rubles and the title of the Laureate of the
Competition
- All monetary prizes will be
paid in Russian rubles withholding the taxes applicable
on the territory of the Russian Federation.
- Additional prizes, awards
and gifts may be presented with the approval of the
Organizing Committee to the participants of the second
and third rounds by governmental, non-government or
commercial organizations, foundations, artistic unions,
mass media and private individuals.
- The Jury has the right:
- to award not all the
prizes;
- to share the awards
among the participants of the third round with the
exception of the first prize;
- to award the
participants with two second prizes or two third
prizes in case of the absence of the first or the
second prize respectively.
- The decisions of the Jury
are final and are not subject to reconsideration.
SPECIAL CONDITIONS
- The participants of the
Competition do not receive any fee for their performance
at the Competition or for any later utilization of the
recordings and broadcasts of these performances.
- The Organizing Committee of
the Competition keeps the exclusive rights on the
realization of audio and video records and broadcasts of
the Competition’s auditions and the final concert of the
Competition’s laureates.
- The Laureates of the
Competition are to perform gratis at the final concert
of the Competition.
- The participants of the
Competition can use gratis and in established order the
practice auditoriums of the Moscow Conservatory.
- The Organizing Committee of
the Competition provides free accompanists for one
rehearsal and two performances in the I and II rounds.
- The Organizing Committee of
the Competition helps the participants in obtaining the
printed music of the compositions which are indicated in
the mandatory program of the Competition.
- The application form signed
by a person who wishes to take part in the Competition
is regarded as an evidence that he/she accepts all the
above-listed terms and conditions.
- In case of any arguments
concerning the interpretation of present terms and
conditions of the Competition, the Russian version of
the text is to be considered the only correct one.
THE ENTRANCE FEE
The entrance fee amounting in
3000 (three thousand) rubles for participants from Russia
and the countries of the CIS and $100 (a hundred) USA
dollars or 80 (eighty) EURO for participants from all other
countries must be transferred onto the account of Moscow
State P. I. Tchaikovsky Conservatory simultaneously with
sending the application form.
The bank account details
for the payment of the entrance fee:
Correspondent bank of Sber bank
of SWIFT: The Bank of New York USA IRVT US 3N 890-0057-610
SWIFT: Sber Bank of the Russian Federation. Donskoe branch
7813 Moscow Russia
SABR RU MM
Branch address-ul Bolshaya Yakimanka 18
Beneficiary Customer: Moscow State Conservatoire named after
P. I. Tchaikovsky
125009 Moscow Bolshaya Nikitskaya 13 Russia
INN 7703107663
(Purpose of the payment: Third
International Moscow Conservatory Competition for Winds and
Percussion)
For payment in USD:
ACCOUNT 40503840438110200266
For payment in EURO:
ACCOUNT 40503978538111000266
Applications for participation
to the Competition will be accepted not later
then August, 31, 2011 (postmarked) to the
address:
Third International Moscow
Conservatory Competition for Winds and Percussion
Moscow State P. I. Tchaikovsky Conservatory
13/6, b. 1, Bolshaya Nikitskaya St., Moscow, 125009, Russia
The Competition’s e-mail
address: winds@mosconsv.ru,
orchestra@mosconsv.ru
DOCUMENTS TO BE SENT
The filled out application form
must be supplemented with the following documents:
- copy of two front pages of
passport or other document of identification
- home address, telephone
- document or diploma about
musical education (copy)
- curriculum vitae
- one photo 13x18 cm.
- a copy of the Taxpayer’s
Identification Number (INN) and the Pension Insurance
Certificate (for citizens of the Russian Federation)
- receipt of the paid
entrance fee
Download Application form.doc
Download Application form.pdf
All the documents and photos
should be sent by e-mail to the address of the Competition:
winds@mosconsv.ru,
orchestra@mosconsv.ru
Program indicated in the
application form could not be changed.
In case the applicant is not
accepted as participant to the Competition the documents and
the entrance fee are not be returned.
PROGRAM
For Clarinet
I round (all
the pieces must be played from memory)
- C. M. Weber.
Concertino for Clarinet and Orchestra Es-Dur
- I. Stravinsky. 3
Pieces for Clarinet solo
II round (all
the pieces, except specially composed must be played from
memory).
- One of the pieces in the
list at the performers choice:
- C. Debussy.
Rhapsody no. 1 for Clarinet and Orchestra
- Ch.-M. Widor.
Introduction and Rondo for Clarinet and Piano.
- E. Chausson.
Andante and Allegro for Clarinet and Piano.
- Obligatory piece: R.
Schumann. 3 Fantasiestücke for Clarinet and Piano, op.
73.
- Obligatory, specially
composed for the Competition piece (could be played from
score). It will be on the site September, 1.
III round.
Final.
- W. A. Mozart.
Clarinet Concerto KV622 (all movements, must be played
from memory).
- Boris Tchaikovsky.
Clarinet Concerto (could be played from score).
Download score
(PDF 6432 Kb)
Download part
(PDF 2,27 Mb)
Contact
Phone: +7-495-629-09-86,
+7-495-629-57-34
E-mail address: winds@mosconsv.ru,
orchestra@mosconsv.ru
Sunday, November 27th
10am - 5pm
Cornerstone Gallery, Liverpool
Hope University, Liverpool.
CASS Single Reed Day at Liverpool
Hope University
As part of the Cornerstone Festival, the day will
consist of workshops, master classes and performances from
top class practitioners and artists.
Non-stop
playing:
Join in with the single reed choir immediately you arrive
and continue throughout the day with saxophone and clarinet
choirs to suit your standard.
Trade
Exhibition:
Take time out to visit the manufacturers’ and
retailers’ stands to try their range of mouthpieces,
instruments and accessories plus browse for music.
Final of the 2011 CASS Clarinet Soloist
Competition and Saxophone Quartet Competition:
The finals will be held in the afternoon in the
Capstone Theatre.
Visit the
Publishers' Co-operative:
• Run by Jonathan Myall Music
• Browse 1000s of titles
• Dozen plus publishers
• Music for clarinet, saxophone and ensembles of many and
various descriptions!
• Review new editions
• Look for special deals on the day
To book on-line click
here.
Or download the application form below aand return to
: CASS Single Reed Day, 10 Shakespeare Road, Mill Hill,
London, NW7 4BB
Return to news
Copyright © 1999 WKA-Clarinet.org. All rights reserved.
Revised: November 17, 2011